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13 Sep 2024 - 07:08 pm

Actress Gemma Arterton says director tried to pressure her to do sex scene
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British actress Gemma Arterton has revealed that a director once tried to put pressure on her to film a sex scene, despite the fact that it wasn’t included in the script.

In an interview with British publication the Radio Times, released Tuesday, Arterton said that, whilst on set, the director - who hasn’t been named - instructed her and her co-star to film a sex scene on a bed.

“I said, ‘No, this scene was written for us to be off screen, so you just hear the noises,’” Arterton told the Radio Times. “I’d never have accepted the role if it was going to be filmed.”

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The actress said that she was pressured by the director to film the scene, but that she “flat out” refused to take part in it.

Had she been younger at the time, Arterton suggested that she might have been more concerned about being fired for refusing to film it.

“I only felt like I could say that because I was older,” she said.
“When I started acting, there was a lot of nudity – you were just expected to do it. When I was younger I played sexy characters, the girlfriend. As I’ve got older, that’s changed because I’m more successful and can choose the parts I want to play,” she said.

She praised the use of intimacy coordinators in film and television since the #MeToo movement, telling the magazine that “it’s a totally different landscape” now.

“Anything you’re not comfortable with is not going to happen. I’ve heard other actors that are like, ‘I loved it when there was no intimacy coordinator,’ but I definitely think it’s better,” she said.

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13 Sep 2024 - 07:06 pm

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Historical document appraiser and collector Seth Kaller spreads a broad sheet of paper across a desk. It’s in good enough condition that he can handle it, carefully, with clean, bare hands. There are just a few creases and tiny discolorations, even though it’s just a few weeks shy of 237 years old and has spent who knows how long inside a filing cabinet in North Carolina.

At the top of the first page are familiar words but in regular type instead of the sweeping Gothic script we’re used to seeing: “WE, the People …”

And the people will get a chance to bid for this copy of the US Constitution — the only of its type thought to be in private hands — at a sale by Brunk Auctions on Sept. 28 in Asheville, North Carolina.
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The minimum bid for the auction of $1 million has already been made. There is no minimum price that must be reached.

This copy was printed after the Constitutional Convention finished drafting the proposed framework of the nation’s government in 1787 and sent it to the Congress of the ineffective first American government under the Articles of Confederation, requesting they send it to the states to be ratified by the people.

It’s one of about 100 copies printed by the secretary of that Congress, Charles Thomson. Just eight are known to still exist and the other seven are publicly owned.

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The male-dominated sports media apparatus is stumbling over Caitlin Clark.

It is trying to pretend that it hasn’t ignored the WNBA for decades until the superstar rookie came along. But rather than admitting its blind spots, several male commentators are parachuting themselves into a league they barely understand and dismissing anyone who suggests they could do better.
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In the flurry of hot takes that followed Chennedy Carter’s foul against Clark over the weekend, ESPN host Pat McAfee went on his show Monday to argue that Clark — whom he casually called the “White b*tch for the Indiana team” — was singularly responsible for the sudden surge of WNBA popularity and therefore she should be given more respect. He later apologized for using the slur, emphasizing that his broader thesis was that Clark’s star power created a halo around a league that’s been languishing in obscurity.

“I was talking about how I hoped that the WNBA and sports media, ex-WNBA players, would show a little bit more respect to Caitlin Clark for what she has brought to the WNBA,” McAfee said on his show Tuesday.

Of course, it’s not that the league was dormant before Clark got there, it’s that most of the mainstream press weren’t paying attention. The impact of Clark’s arrival is undeniable. But McAfee and the four men flanking him in his Indiana studio are not the best people to lead that conversation on one of the most influential sports networks in America.
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McAfee’s right that the ground is shifting for women’s basketball — it’s one of those pivotal moments when journalists and analysts would normally call up an expert or two and try to absorb some of the complexities of the situation. Instead, the male commentariat have done too much talking and not enough listening.

Clark, a White, straight phenom, has become male sportscasters’ proxy in a league built primarily by Black and LGBTQ athletes whom the mainstream felt fine skimming over in the past. And in covering the league, they’re relying on outdated tropes about how women are supposed to behave. Charles Barkley recently called women “petty” for being rough on Clark.

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